And then, there’s Black and White

For a long time, I didn’t get any joy out of black and white shots in the digital Bayer colour sensor era, with LCD screens. I didn’t get the drama that I wanted, the depth of tones in monochrome that I visualised.
Not that I did that well in the film days. I used several films but my favourite turned out to be Agfapan 100 processed in Rodinal. Or was it Neofin Blau?
Seeing the picture was an issue with black and white. I guess I dream in colour and that hampers my recognition of what the panchromatic translations would yield, days after the fact.
With the Olympus PEN E-PL1, I’m on a new adventure. I can see, in Liveview and in different aspect ratios, the gritty black and white that I almost like (well, it’s better than most of the bland monchromatic transformations). It’s not that I can’t get one good monochrome shot, once in a while, it’s just that I don’t get one regularly.
Victory with Kodak V705

Discarded Shoes with the Samsung Galaxy S

Fellini with the Olympus C-750uz

Enchanted with the PEN E-PL1