The importance of being Earnest

Street Photography isn’t new. It’s as old as the redoubtable Henri Cartier Bresson or even Jacques Henri Lartigue. With Vivien Maier as a standout (who probably never made a cent from her passion) through to the current New Yorkers Joe Wigfall, Jamel Shabazz, Major Deegan. These guys have the magic of establishing relationship pretty fast, almost Yeow-like and Robin-esque. They engage pleasantly and comfortably with their human subjects, producing street portraits that are both impromptu and attractive. Quite the opposite style to in-your-face Bruce Gilden and the young exponent Eric Kim.

Sifu Yeow at work

The most approachable security guard I’ve met

Call me “Porkman”, he said.

How do you maintain a deadpan look of enquiry?

Shots of behinds don’t often work. I rather like this one

For human subjects, it’s particularly important to apply the golfer’s analogy instead of the tennis analogy – one has oneself to beat, not the competition. You’ve got to be comfortable in your skin and with your gear.

Endless debates cover:

• the size of your camera
• the size of your lens
• the focal length to shoot at
• the distance to shoot at
• the risk of equipment loss through theft and mugging
• whether you’re sucking the soul of the sitter through your lens can then selling it to the devil.

Only you can rationalise and emotivise your feelings. Only you can decide what style of human interaction works for you.

While you’re pondering that, take a look at David William’s work

Soaking in the vibe

The thing with most humans is that they want everything, all at once, right now. It’s not an unusual desire but in most cases, it just doesn’t happen. And so with photography as well.

I’m on my annual pilgrimage to the air, sights, smells, sounds and vibe that I grew up with. It’s quite a fascinating return each year if I allow myself the pleasure of enjoying the old and the new. I have old memories and perceptions to catch up on and I have new friends to see – Robin Wong, C.L.Yeow and Ronnie Oh were very quick to extend invites to a specially arranged photowalk and friends at the PEN Lovers group (as well as others) were there to make it a social and fun happening.

Although I have very fond memories of the locale (well, I prefer the fond memories than the gawky, fumnbling youth that I was), my street vibe in Melbourne with Marg is quite different. From the very fundamental thing like preferred exposure – Ev -0.7 in Melbourne’s direct sun vs Ev +0.7 in Kuala Lumpur’s gauzy sky, to the way human subjects react when encountering a dude with a camera, it’s different. Sure most passionate photogs want to step off the plane and get way excellent street shots in any city in the world, in reality, it doesn’t work that way. That’s my story and I’m sticking to it.

So, I changed pace, soaked in the vibe. It isn’t all about photography as well. It’s human watching, taking in the ultra wide angle view of the scene (which only the human eye can do), interpreting the significance of dress, facial expressions, gestures. For maximum satisfaction, absorb that – it remains with you long after you’ve shown off that travel set of shots for the upteenth time.

The shot above – with a Tamron 28mm manual focus prime lens on the Olympus PEN E-PL1, faded effect courtesy of Picasa desktop client. Coming from a long flight, the atmosphere was lethargic – taxi drivers waiting for work. The guy on the left did not appear to be a taxi driver. And you sit on anything other than the floor – the public floor in the tropical Malaysia isn’t something locals are conditioned to sit on.

This was the neighbourhood wet market – the wet market is well, sorta wet. Old customers come back to favourite stalls and money changes hands, for in this case, freshly slaughtered chicken. That’s the way they do it.

Take a drive amongst tall buildings and you are in a different world – where the locals come to shop, relax, be seen.

Introducing the Canikon 1D3s (Parody)

Missed this gem from DigitalRev.